This Mile a Swamp

We love the feisty American Goldfinches at our winter feeders. They’re acrobatic, noisy, and occasionally fierce. By the middle of May, the males will sport banana yellow breeding plumage. That color was a challenge to capture in colored pencil. This pair is at home along Indiana roadsides–a habitat with a lot of history.

In the early 1800s, federal survey teams in Northwest Indiana mapped waterways, recorded natural resources, and marked the grid-like boundaries of land parcels. Each parcel was given a legal designation: a section within a numbered township (north or south of a baseline) and east or west of a numbered range line (i.e. Section 6, Township 34 North, Range 7 West). These parcels were subdivided and sold by the United States Government. 

Land sales raised money for the government and accelerated expansion into formerly indigenous territory. By the late 1830s, native people in Indiana had ceded much of their land through treaties and coercion. Other efforts to remove native people from Indiana included the 1838 Trail of Death, during which 859 people were forcibly marched from Twin Lakes, Indiana, to Kansas, and 42 people died. During these years, homesteaders and land speculators eagerly expanded into Indiana, clearing trees and plowing the prairies. 

The landscape we see today is a legacy of the work of the early survey teams. Modern farms are separated by long country roads, hedgerows, and weed strips. When the land was cleared in the 1800s, wildlife likely struggled with deforestation and the loss of wetlands. The location recorded in this piece was wetland before it was drained for agriculture. But birds like the American Goldfinch have adapted well to disturbed areas, open fields, and the seeds of edge-environment weeds. Today they are widespread residents of fields and gardens.

This piece is available for purchase. Please contact me for pricing.

It Was a Temptation

Few bird species are as iconic as the Northern Cardinal. Our love-affair with the Cardinal has a long history and has been used to help advance the goals of conservation. In 1903 Gene Stratton Porter published The Song of the Cardinal. Her plucky hero and heroine were a pair of newly mated birds keeping house at the edge of human habitat. In the book, an old farmer and his wife (Abram and Maria) become their admirers and protectors. Here I’ve included a page from the book, a moment when Maria decides to heed the Cardinal’s call to Come See! Come See!

I feel deeply emotional about It Was a Temptation, as Stratton-Porter intended with Song of the Cardinal. The deeply humanized birds at the center of her novel evoked a strong emotional response from a wide readership. Do anthropomorphic animal characters support the cause of conservation or blur the lines between human and animal needs? I don’t have an answer, but I believe we can enlarge our circle of care beyond our own families and communities when we empathize with other people and creatures.

I illustrated this piece on transparent paper, which has a different feel under my pencils than the drafting film. And when combined with the digital image underneath, it reveals and hides shapes and colors in its own way. I like the more rustic results.

It Was a Temptation is available for purchase. Contact me for more information.

Beautiful Spring Brook

There was a struggling American Plum in my mother’s front yard. It was trapped by pines, and every year it would hang low enough to scratch the top of the cars backing out of the driveway.

Sadly, the plum’s been removed. But in its last spring, I brought a flowering branch home to do some sketching on my patio. Within minutes, the fresh blossoms attracted a lovely mining bee, one of the earliest native Indiana bees to emerge each year. Early flowering trees like the plum provide spring bees with essential food when little else is blooming. I like to include this piece when I exhibit a collection of bird artwork because insects are a critical food source for many birds. Insects that pollinate do double work and ensure food sources for birds and wildlife.

The phrase “beautiful spring brook” is lifted from the text decorating this piece. The words are reproduced from nineteenth century Land Survey notes for Porter County Indiana. It’s rare to find a reference to beauty in these notes, which are mostly dry descriptions of the widths of trees and the locations of survey posts. But every now and then a phrase escapes the pen of the surveyor suggesting “I see this place.”

Beautiful Spring Brook is available for purchase. Contact me for more information.