Tag Archives: animals

A Passion for Birds

Color pencil illustration of a Long-eared owl positioned slightly in front of the full moon, perched in an active position on a slender branch
Long-eared Owl / 2021
Based on photographs by Risë Foster Bruder
Copyright Christine Hubbell

It’s late winter, just around the corner from Valentine’s Day. It’s the perfect time to reflect on the many loves in my life, including my passion for birds, art, and science.

These three loves coalesce in the practice of natural science illustration, often referred to as “art in the service of science.” But science can also serve beauty. Accurate, detailed drawings can capture our imaginations and hearts in a way that leads us to curiosity, delight, and a desire to protect.

In the end we will conserve only what we love, we will love only what we understand, and we will understand only what we are taught.

Baba Dioum
Untitled watercolor painting of a european goldfinch, campanula flower and dutch poppy by scientist and artist Maria Sibylla Merian, 1600s
Maria Sibylla Merian 1705

In 1699, Maria Sibylla Merian left her home in Amsterdam and traveled with her daughter to Surinam where she continued her work as an entomologist and natural science illustrator. Sibylla Merian was an entomologist, illustrator, and publisher. Her work redefined what was known about metamorphosis. You can see in her engravings and paintings how lavishly she loved what she encountered.

Today we encounter natural science illustration almost everywhere we look. If you’re a birder, you probably have at least one field guide on your shelf. We rely on the adept illustrations of each species to help us identify birds (and other life) in the field. But we may not be aware of the thousands of hours of research, field observation, and craft needed to produce these complex works. That’s what natural science illustrators excel at: simplifying complex scientific ideas with rigorous accuracy. This is a job for people with passion.

Photograph of a bookshelf showing a handful of bird field guides

At the Denver Botanic Gardens School of Botanical Art and Illustration, I learned how to be rigorous in researching and understanding the plant species I illustrated. When I decided to concentrate on illustrating birds, I wanted to apply that same rigor, but with a shift in focus. I wanted to render birds as accurately as possible for the sheer joy of it. My hope is that the delight and joy of rendering the beauty of birds comes through in the lush details and colors, the soft textures, and even the scaly feet (always challenging for me to see properly, and endlessly fascinating). My bird studies are just beginning.

Color pencil illustration of a pygmy nuthatch upside down on a large tree branch
Pygmy Nuthatch / 2020
Copyright Christine Hubbell

Drawing and illustrating birds is a highly rewarding, challenging practice. You can start at any age, and with the basic skills of handwriting. A great place to start is in your nature journal. This is where you record what you see, hear, and experience. And you don’t need big outdoor spaces. A porch, patio, or back yard will do. Record your observations over time and you’ll also have a rich historical record of your experiences.

Photograph of a page from a nature journal that shows a color drawing of a european starling; dated April 27, 2020. Includes some text in the margin “The starlings were foraging on the shore in the tall grasses, climbing up the bank on my side of the creek. Silent hunters.

Some of my favorite nature journaling resources are by John Muir Laws. His books on journaling, drawing birds, and teaching are carefully written, easy to follow, and enormously helpful. David Allen Sibley has wonderful process and drawing videos available from his website as well.

For all things bird, explore the amazing artists and educators at the Cornell Lab of Ornithology Bird Academy. They offer both real-time and recorded nature journaling workshops as part of their extensive series of classes and workshops.

Hermit Thrush / 2021
Copyright Christine Hubbell

There are so many reasons to love the artistry that allows us to understand birds, and so many reasons to love birds through making art. When we draw birds as a way of studying them, our minds shift to observing with intention. We learn to see aspects of birds that we would otherwise miss.


I’ve posted the following for anyone who’d like more time to draw along with the images in my Aiken Audubon nature art presentation.

Pencil cartoon

Basic Black

They say the little black dress never goes out of style. It’s simple and can anchor an entire wardrobe. Maybe that’s why I love working in graphite. When I’m overwhelmed with juggling color, it feels good to go back to the basics. Composition, value, and shape. Graphite is the little black dress of my art wardrobe.

Some of my favorite drawings are smudgy graphite sketches. Smudgy is good because it adds instant mid tones. I like to work on toned paper, too, but lately I’ve been heading out with nothing more exciting than a 2B pencil, an eraser, and my Canson sketch pad – the perfect “go anywhere” medium. I’ll confess to a little color excitement here. I made this bag from fabric I designed last year. It’s the perfect companion for sketching trips to the Denver Museum of Nature and Science.

Purse and sketchbook

We often get an audience when we’re working in front of the natural history dioramas. This trip, I showed one summer camper how easy it is to pick out shapes with a kneaded eraser and smudge them back in again when I don’t like the results. “It’s like magic!” she said. I agree – a happy kind of magic where drawing is more like painting.

Seal face

After scribbling in some tone and smudging it with my finger (which is not exactly archival, but hey, it’s just sketching), I lay in a few shapes and pull out highlights, then work in the details. It’s relaxing to sit very still and look carefully, rechecking proportions and reshaping something to be more accurate.

Seal family

So bloom on, tawdry flowers of summer. I know you’re calling to me too, but for now I’ll wear basic black. And shades of grey.