Sunshine on Cottonwood Creek

Transforming Winter

I used to hate winter, especially the month of November. Here in Colorado, fall leaves hit peak color toward the end of October. We’ve had our first or second snow. The winds pick up, then die off, and November sets in. November days are stark, short, and ugly. At last, that’s how I used to think of them.

I believe that making and viewing art is transformative. My attitude toward November took a 180 degree turn when I spent part of the month designing and painting a small illumination based on the letter “N.” At first it had nothing to do with November. Just nuthatches. I’d been seeing them in my yard and went looking for them down at the creek.

Red-breasted Nuthatch

At the creek I met a lovely fellow birder who knew exactly which trees the nuthatches were using. Cathy pointed me toward a couple of hollow Cottonwood branches and there they were. We heard them, too. Nuthatches have a squeaky balloon chatter that’s unmistakable once you catch on.

White-breasted Nuthatch in flight

The more time I spent outdoors looking for nuthatches, the more I noticed that the days were not just dry and short, they were also warm and soft and beautiful. Birds sang everywhere. The water in the creek had a particularly bright sheen from the low, south-driven sun. I couldn’t possibly be warming up to November, could I?

But there it was, creeping into my design for the illumination. The winter sun moving across the sky. The nuthatch prying at the bark of a Cottonwood amid scattered leaves. A sense of stillness at the center of a season in transition. This was my early winter meditation, and it transformed how I felt about those bleak November days.

Illuminated N Sketches

I learned illumination techniques from Renee Jorgenson, who is a wonderful artist, teacher, and master calligrapher. The process starts with a small design, no more than 4 inches square. Every element is carefully planned, from the letter form to the motifs and background patterns. Gold leaf goes down first, then flat color applied with gouache. Black ink and white or pastel details make the colors pop and add visual interest. When it’s successful, you get that sense of a medieval manuscript illuminated with jewel-toned colors. A mini stained glass window on paper.

Illuminated N

I scanned this piece and used it for Christmas cards, but its legacy is that I will always associate it with enjoying the month of November. I hope it speaks to you, too, because there are more tough winter months coming. February can be dark and cold. But “F” is also for flicker, and I think we’re ready for it.

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